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Sunday, April 19, 2020 | History

5 edition of Performance and identity in the classical world found in the catalog.

Performance and identity in the classical world

Anne Duncan

Performance and identity in the classical world

  • 56 Want to read
  • 1 Currently reading

Published by Cambridge University Press in Cambridge, U.K, New York .
Written in English

    Subjects:
  • Actors -- Greece.,
  • Acting -- History -- To 1500.,
  • Performing arts -- Rome.,
  • Theater -- Greece -- History -- To 500.,
  • Theater -- History -- To 500.,
  • Classical drama -- History and criticism.,
  • Theater -- Rome.,
  • Performing arts -- Greece -- History -- To 1500.,
  • Actors -- Rome.,
  • Self in literature.,
  • Identity (Psychology) in literature.

  • Edition Notes

    Includes bibliographical references and index.

    StatementAnne Duncan.
    Classifications
    LC ClassificationsPA3203 .D76 2006
    The Physical Object
    Paginationviii, 242 p. ;
    Number of Pages242
    ID Numbers
    Open LibraryOL22729270M
    ISBN 10052185282X
    ISBN 109780521852821

    The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to 'one true faith'. Despite the long-held notion that the early Christians were meek and mild, going to their martyr's deaths singing hymns of love and praise, the truth, as4/5. Engendering performance: than envisaged. In trying to balance a historical narrative with isolated emphasis on crucial individual topics, the book explores the crucial theme of identity and body politics, moving towards an ideological critique. Meanwhile, in the so-called serious world of Classical dance, the territory is clearly. Phoenician identity has been constructed by ancients and moderns, and whether there was in fact a ‘Punic world’. p b/w illus, col pls (Cambridge UP Pb , ) Hb £, Pb £ Maritime Networks in the Ancient Mediterranean World Edited by Justin Leidwanger and Carl Knappett. New Classical Tracks: Jerry Junkin and the Dallas Winds celebrate 'John Williams at the Movies' After a concert with the United States Marine Band, John Williams fell in love with arranging his famous movie music for wind band. The Dallas Winds, led by conductor Jerry Junkin, celebrates this exciting music on its latest recording, 'John.


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[Anne Duncan] -- This text addresses issue of impersonation, from the. Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self.

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THE HYPOCRITICAL SELF. FOR A BOOK THAT IS FILLED WITH ANECDOTES, IT SEEMS APPROPRIATE to begin with an anecdote of my own, and so here it is. Like many children, I was afraid of clowns. PERFORMANCE AND IDENTITY IN THE CLASSICAL WORLD Performance and Identity in the Classical World traces attitudes toward actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self.

The actor’s ability to impersonate different characters might be considered a threat to a philosophical Cited Performance and identity in the classical world book Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self.

Actors were often viewed as frauds and impostors, capable of. Book Reviews Ritual and the Performance of Identity: Women and Gender in the Ancient World Kate Gilhuly.

The Feminine Matrix of Sex and Gender in Classical Athens. Cambridge: Cambridge University Press, xii + pp.; ISBN (cl).

Rosemary A. Joyce. Ancient Bodies, Ancient Lives: Sex, Gender, and Archaeol-ogy. Table of Contents. Introduction Kamal Salhi 1. New Islamist Popular Culture in Turkey Martin Stokes 2. Social forces shaping the heterodoxy of Sufi performance in contemporary Egypt Michael Frishkopf 3.

Singing Dissent: Sufi Chant as a Vehicle for Alternative Perspectives Earle Waught 4. Debating Piety and Performing Arts in the Public Performance and identity in the classical world book The ‘caravan’ of veiled.

Identity vs Performance: An Overview of Theories Explaining Trust in Government. Working Paper (PDF Available) January with Reads How we measure 'reads'. Identity and Performance. cosplayers can momentarily escape from reality and enter into their imaginative world.

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Getui Culture, religion and identity, which are the concern of this article, are three separate entities which are loaded, and at the same time intertwined, Author: Kimani Njogu. Re-thinking creativity in classical performance.

4 Performing identity. As performance style changes over decades, so score and composer identity change. Before we start to look at some of the specific delusions on which WCM ideology rests (Chapters 5 and 6) it will be helpful to consider for a moment the identity of music at the level of a piece and a composer.

The Imagined Woman: the Performance of Identity in Classical Athens. Kennedy ), Isaeus’ carefully constructed arguments concerning identity show that the performance of the routines and duties of daily life before witnesses from all strata of Athenian society was equally crucial in proving or disputing a person’s civic identity.

Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a "good man" and his performance a manifestation of an authentic and authoritative by: Book Description.

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Although this ideology did not manifest itself in a fully developed race myth, its study offers insight into the causes and conditions that can give rise.

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